The catalogue presents 61 pieces from the Ashmolean collection. Early objects are defined as 7th to 14th century. As some of these images have never before appeared in print, collectors and specialists on this subject will want to include this book in their libraries. The general public and specialists alike will enjoy the fine introductory essay by Dr. Heller. Her succinct summary of how styles originated in India and were transported and evolved in the Himalayas is insightful. The stylistic chronology and geographic distribution of these styles are illustrated with many examples from Nepal and Tibet. Practitioners and those interested in how these images are (or were) used in Buddhist religious activities are not given many clues or interesting tidbits in the essay or entries, the focus being more on the development of aesthetic features and styles over time.
